[15], The chorale partita is a set of variations on a chorale melody. 11), chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. Alongside the “Chaconne” for violin, the ten “Chorale Preludes” for organ are Busoni's best-known piano transcriptions of works by J. S. Bach. No. chorale setting "Jesus Christus, unser Heiland" (alio modo; chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar), chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar), chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch). Only the first page of the last choral prelude BWV 668, the so-called "deathbed chorale", has survived, recorded by an unknown copyist. Chorales also appear in chorale preludes, pieces generally for organ designed to be played immediately before the congregational singing of the hymn. Volume 8: Bach's last works comprise these 34 compositions, ranging from the six chorale-preludes (taken from cantatas such as “Wachet auf, ruft uns die Stimme”) to the remarkable partitas of the chorale variations. Mary' (Rowley, Alec) Choral Prelude on 'Surrey' (Rowley, Alec) Choral Prelude on the Tune 'St Kilda' (Noble, Thomas Tertius) 3 Choral Preludes for Advent and Christmas (Schneider, Thomas A.) No. Bach Organ Chorale Preludes, transcribed for piano by Ferrucio Busoni Ferrucio Busoni transcribed a number of the organ chorale preludes from the Clavier-Übung III and the Orgelbüchlein for piano. Prelude to Te Deum (Marc-Antoine Charpentier) Air from Suite #3 (Johann Sebastian Bach) Fugue in a (Johann Sebastian Bach) Chorale #53 from St Matthew Passion (Johann Sebastian Bach) Chorale #72 from St Matthew Passion (Johann Sebastian Bach) Menuet … Create lists, bibliographies and reviews: or Search WorldCat. Many of the chorale preludes pay homage to much older models in the German liturgical tradition (Georg Böhm, Buxtehude and Pachelbel), but the parallel influence of the Italian concerto tradition is equally visible. 11 in the 1725, BWV 692 – Ach, Gott und Herr (spurious: composed by, BWV 693 – Ach, Gott und Herr (spurious: composed by Johann Gottfried Walther), BWV 695 – Fantasia super: Christ lag in Todesbanden (manuals only), BWV 696 – Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (fughetta; manuals only), BWV 697 – Gelobet seist du, Jesu Christ (fughetta; manuals only), BWV 698 – Herr Christ, der ein'ge Gottes-Sohn (fughetta; manuals only), BWV 699 – Nun komm, der Heiden Heiland (fughetta; manuals only), BWV 700 – Vom Himmel hoch, da komm' ich her, BWV 701 – Vom Himmel hoch, da komm' ich her (fughetta, manuals only), BWV 702 – Das Jesulein soll doch mein Trost (fughetta), BWV 703 – Gottes-Sohn ist kommen (fughetta, manuals only), BWV 704 – Lob sei dem allmächtigen Gott (fughetta, manuals only), BWV 705 – Durch Adams Fall ist ganz verderbt, BWV 707 – Ich hab' mein' Sach' Gott heimgestellt, BWV 708 – Ich hab' mein' Sach' Gott heimgestellt, BWV 709 – Herr Jesu Christ, dich zu uns wend', BWV 710 – Wir Christenleut habn jetzund Freud, BWV 711 – Allein Gott in der Höh' sei Ehr'. No. Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, … Date associated with the completion of the listed version of the composition. Hugh' (Rowley, Alec) Choral Prelude on 'St. No. 5), chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. Most of the Schübler Chorales, which were published around 1748 as Sechs Chorale von verschiedener Art (Six Chorales of Various Kinds), are transcriptions of extant cantata movements: The 24 chorale preludes and five variants published as "from the Kirnberger Collection" ("in Kirnberger's Sammlung") in the 40th volume of the Bach-Gesellschaft Ausgabe (1893) were all retained in the 690–713a range of the Bach-Werke-Verzeichnis. Jean M. Perreault, edited by and Donna K. Fitch. 13), chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. Name of the composition: if the composition is known by a German, extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision, extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. The Schübler chorale preludes.. [Johann Sebastian Bach; Simon Preston] Home. 6), chorale setting "Christ lag in Todesbanden" (variant), chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. Bach's Chorale preludes. Search. A chorale prelude includes the melody of the chorale, with added counterpoint. Together with the Orgelbüchlein, the Schübler Chorales, the third book of the Clavier-Übung and the Canonic Variations, they represent the summit of Bach's sacred music for solo organ. chorale setting "Jesu, meine Freude" (unfinished; chorale setting "O Vater, allmächtiger Gott", chorale setting "Das alte Jahr vergangen ist, chorale setting "Herzliebster Jesu, was hast du verbrochen" (, chorale setting "O Jesu, wie ist dein Gestalt" (, chorale setting "O Lamm Gottes unschuldig" (, chorale setting "Ehre sei dir Christe, der du leidest Not" (, chorale setting "Wir glauben all an einen Gott" (, chorale setting "Aus tiefer Not schrei ich zu dir" (, chorale setting "Allein zu dir, Herr Jesu Christ" (, chorale setting "Du Friedefürst, Herr Jesu Christ" (, chorale setting "Erhalt uns Herr, bei deinem Wort" (, chorale setting "Wenn dich Unglück tut greifen an" (, chorale setting "Gott ist mein Heil, mein Hilf und Trost" (, chorale setting "Jesu, meines Lebens Leben" (, chorale setting "Als Jesus Christus in der Nacht" (, chorale setting "Ach Gott, tu dich erbarmen" (, chorale setting "O Herre Gott, dein göttlich Wort" (, chorale setting "Nun lasset uns den Leib begraben" (, chorale setting "Christus, der ist mein Leben" (, chorale setting "Ich hab mein Sach Gott heimgestellt" (, chorale setting "Herr Jesu Christ, du höchstes Gut" (, chorale setting "Herzlich lieb hab ich dich, o Herr" (, chorale setting "Was Gott tut, das ist wohlgetan" (, chorale setting "Werde munter, mein Gemüte" (, chorale setting "Wie nach einer Wasserquelle" (, chorale setting "Christ, der du bist der helle Tag" (, chorale setting "Machs mit mir, Gott, nach deiner Güt" (, chorale setting "Christ, der du bist der helle Tag", chorale setting "O Gott, du frommer Gott", chorale setting "Ach, was soll ich Sünder machen", BWV 533 – Prelude and Fugue in E minor ("Cathedral"), BWV 533a – Prelude and Fugue in E minor (alternative version of BWV 533 without pedals), BWV 534 – Prelude and Fugue in F minor (doubtful), BWV 535a – Prelude and Fugue in G minor (alternative version of BWV 535), BWV 536a – Prelude and Fugue in A major (alternative version of BWV 536, possibly based on the original manuscript), BWV 539 – Prelude and Fugue in D minor ("Fiddle") (uncertain, BWV 539a – Fugue in D minor (see BWV 1000 for the, BWV 542a – Fugue in G minor (alternative version of the fugue from BWV 542), BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545), BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by, BWV 547 – Prelude and Fugue in C major ("9/8"), BWV 554 – Eight Short Preludes and Fugues – Prelude and Fugue in D minor (spurious, possibly by Johann Tobias Krebs), BWV 555 – Eight Short Preludes and Fugues – Prelude and Fugue in E minor (spurious, possibly by Johann Tobias Krebs), BWV 556 – Eight Short Preludes and Fugues – Prelude and Fugue in F major (spurious, possibly by Johann Tobias Krebs), BWV 557 – Eight Short Preludes and Fugues – Prelude and Fugue in G major (spurious, possibly by Johann Tobias Krebs), BWV 558 – Eight Short Preludes and Fugues – Prelude and Fugue in G minor (spurious, possibly by Johann Tobias Krebs), BWV 559 – Eight Short Preludes and Fugues – Prelude and Fugue in A minor (spurious, possibly by Johann Tobias Krebs), BWV 560 – Eight Short Preludes and Fugues – Prelude and Fugue in B-flat major (spurious, possibly by Johann Tobias Krebs), BWV 561 – Fantasia and Fugue in A minor (spurious, possibly by, BWV 566a – Toccata in E major (earlier version of BWV 566), BWV 567 – Prelude in C major (possibly by, BWV 571 – Fantasia (Concerto) in G major (spurious), BWV 573 – Fantasia in C major (incomplete, from the, BWV 574 – Fugue in C minor (on a theme of, BWV 574a – Fugue in C minor (alternative version of BWV 574), BWV 574b – Fugue in C minor (alternative version of BWV 574), BWV 579 – Fugue in B minor (on a theme by, BWV 581 – Fugue in G major (not by Bach, composed by, BWV 583 – Trio in D minor (spurious, possibly a transcription of a chamber trio by another composer), BWV 584 – Trio in G minor (spurious, a version of BWV 166/2 or another, lost, aria), BWV 585 – Trio in C minor (spurious, after, BWV 586 – Trio in G major (spurious, possibly after, BWV 587 – Aria in F major (spurious, after, BWV 590 – Pastorella in F major (first movement probably incomplete), BWV 591 – Little Harmonic Labyrinth (Kleines harmonisches Labyrinth) (spurious, possibly by, BWV 598 – Pedal-Exercitium ("Pedal Exercise") in G minor (fragment, authorship uncertain, presumably by, BWV 690 – Wer nur den lieben Gott läßt walten, BWV 691 – Wer nur den lieben Gott läßt walten (manuals only; No.

bach chorale preludes list 2021